Madame Boucher brought dinner to us, cotriade with crepes, a seafood stew, and gignot d'agneau, shallots in cream which were better than anything I have ever eaten before or since. My uncle Adraste and I ate in silence, until I insisted he continue my father's tale.
"We played cards in his library for several evenings. He showed me how his mysterious opponent arrayed his atouts on the table, and I tried to understand some reason or pattern behind it: six cards arranged in a hexagon, three more cards above that and one final card at the top pointing to one's opponent. Your father was convinced there was some meaning in it."
"Was there?"
"Yes. It was the Sephiroth. I recognized it as soon as he dealt it, and went to his books and showed him an illustration of the figure in Oedipus Aegypticus."
As Madame Boucher cleared away the dishes, my uncle went to his bureau and found a sheet of paper, scratched out something with his quill, and returned to the table. He had drawn ten circles in the same arrangement he described, connected by lines.
I said, "It's marelle, hopscotch, but with circles instead of squares. Look, here is heaven and here is earth. You just drew it upside down."
"Just play the atouts. If you deal a suit card, a wand or a cup, yes like that one, place it here on the discard pile.
My uncle's face darkened. "Why do you say that?"
"If you hop here, then you're out." I pointed to the empty place directly beneath the Crown, where two lines crossed.
"There is an eleventh sefira, the Abyss, in which all phenomena are stored, undifferentiated, unified. It is Pluto, the underworld, the fallen angels. But it is a null place, and it is never drawn in the diagram."
"You mean there's nothing there?"
"Something's there alright, but it could be anything or anyone. It's changeable, it means something different to everyone, every time."
I studied the drawing, and in my head ran the rhyme we always sang when we leaped from square to square.
Down by the riverside the green grass grows,
Where some walk and some tiptoe.
She sings, she sings so sweet,
She calls over to someone across the street.
Give her a square, give her a level,
Give her a compass and send her to the devil.
"Is that where my father went?" I blurted, pointing to the grinning satyr dealt into the eleventh place.
Madame Boucher returned with our sweet rum-flavoured gâteau nantais and nearly dropped them when she saw the cards spread over our table. "Dear God, Monsieur Adraste, what are you doing! In front of the child! It's blasphemy to show her such things."
And deaf to my entreaties and cries, which only made her more determined, she swept up my father's deck and would have thrown them in the fire if my uncle had not protested. He took them from her and slipped them in his waistcoat pocket with what I imagined was a small sigh of relief.
2 comments:
This was a particularly inspired installment. Thank you for tweeting to say it was here.
The bridge over the abyss, the razor's edge of invisible paths ... none but the pure of heart may pass there, those of delicate balance and poise.
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